Flesh

HTK-B331 Flesh is an acrylic modeling paint of the Blue Line range in a flesh shade, in 10 ml bottles and intended above all for the brush.

Manufacturer Hataka
Product EAN9991117370047

Responsibility details are not available.

2.36 €
1.95 € without VAT
1 pcs in stock
Free shipping on orders over 1,000 czk in czech republic Personal pickup in Prostějov 14-day returns

About product

Hataka Blue Line - flesh shade, 10 ml

An acrylic modeling paint from the Polish maker Hataka, from the Blue Line range, in the shade of human skin. It is a paint for figures and for all the exposed parts of a figure: the face, the hands, the neck. Blue Line is a water-thinned acrylic with a high pigment content, tuned above all for brushing, which matters with figures because spraying is only rarely used on them. The bottle holds 10 ml.

How to work with a flesh shade

Never lay flesh on as one flat coat. The base tone is the starting point from which it is built: a darker tone is added in the recesses and a lighter one on the raised areas. Only then does a face take shape. On figures in small scales it is enough to suggest a shadow under the cap and in the eye sockets; in large scales it pays to build the transitions up over several coats.

Use

  • Stir the paint thoroughly before taking any out, as the pigment settles to the bottom.
  • Apply the base tone over a light surface.
  • Build the shadows and highlights up in layers, not in one coat.
  • Vary the flesh shades slightly between figures.

Who it is for

For figure painters and for modelers who add crews to their equipment. It suits figures in small as well as large scales and figures for cockpits. It is worth buying a darker and a lighter tone to go with it, as only the three together give a face its full shape.

Keep out of the reach of children, close the bottle carefully after use, and when spraying ensure ventilation and use respiratory protection.

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FAQ

A flat coat gives a face no shape. The base tone is the starting point; a darker tone is added in the recesses and a lighter one on the raised areas.

Yes. On small figures it is enough to suggest a shadow under the cap and in the eye sockets; on large ones it pays to build the transitions up over several coats.

They should not. A slight variation between figures looks more natural than a single shade across a whole unit.

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Flesh

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In stock
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