Acrylic Filter Rust from AMMO of Mig Jimenez is an acrylic filter in a rusty tone, which gives the surfaces of a model a breath of corrosion without losing the original camouflage.
AMMO of Mig Jimenez Acrylic Filter Violet is a liquid acrylic filter for toning the surfaces of a model. In the sequence it belongs after the base coat and before the heavier weathering steps.
AMMO of Mig Jimenez Acrylic Filter Orange is a liquid acrylic filter for toning the surfaces of a model. The contents need stirring before each use, because the pigment settles at the bottom.
AMMO of Mig Jimenez Acrylic Filter Red is a liquid acrylic filter for tinting the surfaces of a model. It changes the tint of a whole area — for bringing out an individual detail there are other products.
AMMO of Mig Jimenez Acrylic Filter Military Green is a liquid acrylic filter for toning areas of a model. It behaves differently on a gloss and on a flat surface, and that has to be taken into account when planning the work.
A bright green filter for toning and evening out a coat that has already dried on the model. It is applied in thin coats over the whole area or only on selected panels.
AMMO of Mig Jimenez Acrylic Filter Turquoise is a liquid acrylic filter for toning the surfaces of a model. You control the strength of the effect mainly through how much you thin it and how many thin coats you lay on.
AMMO of Mig Jimenez Acrylic Filter Marine Blue is a liquid acrylic filter for toning the surfaces of a model. Once it is done, fixing it with a coat of varnish is advisable so that the later weathering steps do not disturb the finished effect.
AMMO of Mig Jimenez Acrylic Filter French Blue is a liquid acrylic filter for subtly tinting the surfaces of a model. The effect is built up by layering several thin passes, not by one heavy application.
AMMO Acrylic Filter Starship Filth is an acrylic toning filter in the Starship Filth shade for soiling and modulating science fiction and ordinary surfaces.
AMMO of Mig Jimenez Acrylic Filter Dark Blue is a liquid acrylic filter for toning the surfaces of a model. It is laid on in a thin coat and the surplus is wiped away, so that the shade underneath only seeps through gently.
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