The saturated purple Xpress Wicked Purple for figures and fantasy motifs. The paint gathers in the folds by itself, so a cloak or a sleeve gains depth in a single application with no later toning.
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Mixing a stable purple on a palette means hitting the ratio of red and blue, and above all hitting it a second time once the first portion runs out. The second portion always comes out different, which shows at once as soon as the second sleeve of the same cloak is being finished. The ready shade Wicked Purple removes that problem entirely: two parts painted a week apart will have the same tone.
As it dries the application draws from the raised areas into the hollows. On drapery, chains or hair a difference between light and shadow therefore arises by itself. It is with purple that this saves the most work, because its shadow variant is ordinarily built by adding black, and that deadens the shade into gray.
Load the paint in a sufficient amount so that it will do for the whole area of the part at once. A thin, stingy application draws together unevenly and leaves patches. If the shade is to be damped down, it is applied over a light gray ground; over a white one it looks most saturated. Once dry it can be brought out locally with a further pass in the deepest folds.
The shade holds together well with the warm flesh tones of the same family: applied into the folds of a sleeve over a flesh ground it creates a cool shadow that would otherwise be built with a separately mixed glaze. It does the same service under silver highlights, where it damps the sheen into a darker impression.
Naši poradci a znalci sortimentu jsou připraveni odpovídat na Vaše dotazy (Po–Pá, 8–18 hod).
Zeptejte se na co potřebujete, odpovíme co nejdříve.
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