A set of matte acrylics of the Model Color line put together for painting faces. It covers skin tones from the deepest shadow to the lightest catch of light.
A palette for the American Civil War - the blue of the Union, the gray and browns of the Confederacy, flesh tones, leather and metals for soldiers and equipment of the years 1861 to 1865.
Sixteen shades for the Allied armies of the Second World War - the American, British and Soviet uniform, the olive and khaki tones of equipment, flesh and metals.
Six shades for the camouflage of German tracked vehicles - dark yellow, chocolate brown and olive green completed by a gray, a khaki and a green-brown.
A starter set of eight acrylic shades for tabletop games: white, black, green, blue, two browns, orange and silver. A matte surface, thinned with water, painted with a brush.
A sixteen-piece Model Color set in the Special version, to complete a palette. Besides earth and flesh tones it holds three varnishes for the final treatment of a surface: gloss, satin and matte.
A sixteen-piece set of acrylic paints of the Model Color line in the Basic version. It holds black, white, the basic color tones, earth shades and two metallic paints.
A set of six pots of twelve milliliters each: five water-based acrylic paints plus a matte varnish, put together for building the AH-1G Cobra attack helicopter.
Six shades for the Russian carrier fighter in the form it has carried since 2006, including the color of the radomes, the insides of the bays and the wheel rims.
Eight shades for current American armored vehicles: the three-tone NATO camouflage, desert tones, temporary winter white and the greenish color of the crew compartments.
Eight shades of the Blue Line range for British aircraft of the 1982 Falklands fighting. Water-thinnable acrylics in bottles, ready for brush application.
Eight colors for Argentine machines of the Falklands conflict: the upper camouflage of the fighter-bombers, the undersurface gray, aluminum and three tones for the field finishes of the Pucara.
Eight shades for German aircraft of the middle phase of the Second World War: the upper gray, the green-black, two blue undersurface colors and complementary tones for details.
Six gray shades for the pixel scheme of the Ukrainian Air Force. The second part of the series, this time in the gray variant of the pattern, with references to the FS, RAL and ANA standards.
Six acrylic shades of 17 ml each in the yellow part of the spectrum, from a pale yellow to a golden and a light brown. They serve for smooth shading of yellow areas.
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