Twelve shades for the StuG III assault gun in the Ausf. G version, outside and inside. Three-color camouflage, the dark gray of the fighting compartment, metals, wood and transparent green for the periscopes.
Six acrylic shades for German assault guns of 1944 and 1945. Two different dark yellow base colors, two greens and two browns to the standards used in the closing stage of the war.
Six acrylic shades for the equipment of the Republican side of the Spanish Civil War. It contains a protective green of the Soviet pattern, khaki, a light greenish khaki, desert sand and silvery gray.
Six acrylic shades for the equipment and aircraft deployed on the Nationalist side in the Spanish Civil War, including dark gray, brown earth, sand yellow and olive green.
The autumn variant of the German oak leaf camouflage pattern in six shades. A muted brown base, orange and rusty patches and black for the outline drawing.
Four figure paints for the uniform of the Imperial Japanese infantry. A tonal range from shadowed gray-green to faded yellow-green, with an FS code on two of the shades.
Eight red tones for painting figures, from a dark wine shade through crimson to a fiery transition into orange. Intended for cloaks, heraldry, uniform facings and for shading and highlighting red surfaces.
Eight shades for Soviet and Russian fighter aircraft with a variable-geometry wing from the 1970s to the 1990s. The palette takes in a gray-blue underside, ocher, sand tones and the dark green of the upper surfaces.
The helicopter scheme of Eastern design in eight shades, from the postwar olive tones through sand to today's grays. It also contains the characteristic blue-gray of the undersides.
Sixteen bottles aimed at imitating metal. Alongside aluminum, chrome, steel, gold, brass and copper it also holds rust, gunmetal and several supplementary tones for wood and the fuselage surfaces of aircraft.
An extensive set of acrylic paints of the Model Air line, ready for spraying straight away. Seventy-two bottles in all, including varnishes and a thinner.
Eight acrylics for the Luftwaffe from 1941 to the end of the war. It contains the late trio RLM 81 to 83 as well as the older tones RLM 74, 76 and 66 for cockpits.
A set of eight shades for machines of the Japanese Army Air Force from pre-war production to 1945. It also holds a translucent green imitating the aotake protective lacquer and an aluminum tone for surfaces left without covering paint.
A primer from the Mecha range in the sand shade Sand, a bottle of 17 ml. It prepares the surface under covering shades and evens the surface of a model out.
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